<?xml version="1.0" encoding="UTF-8"?>
<quotes type="array">
  <quote>
    <author>Marcel Duchamp</author>
    <body>I have forced myself to contradict myself in order to avoid conforming to my own taste.</body>
    <created-at>2010-02-01T02:54:41Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://thinkexist.com/quotation/i_have_forced_myself_to_contradict_myself_in/322849.html</source>
    <title>Marcel Duchamp quotes</title>
    <favoriters>
      <favoriter>
        <login>lrizoli</login>
      </favoriter>
    </favoriters>
    <user>
      <login>lrizoli</login>
    </user>
  </quote>
  <quote>
    <author>C.S. Lewis</author>
    <body>&quot;[A child] does not despise real woods because he has read of enchanted woods: the reading makes all real woods a little enchanted.&quot;</body>
    <created-at>2010-01-17T04:18:10Z</created-at>
    <isbn>9780842351157</isbn>
    <page-number>205</page-number>
    <source>http://books.google.ca/books?id=f3mR0-_rUJQC&amp;pg=PA205&amp;dq=%22does+not+despise+real+woods+because+he+has+read+of+enchanted+woods:+the+reading+makes+all+real+woods+a+little+enchanted.%22&amp;cd=5#v=onepage&amp;q=%22does%20not%20despise%20real%20woods%20because%20he%</source>
    <title>The Quotable Lewis</title>
    <favoriters>
      <favoriter>
        <login>lrizoli</login>
      </favoriter>
    </favoriters>
    <user>
      <login>lrizoli</login>
    </user>
  </quote>
  <quote>
    <author>Maciej Ceglowski</author>
    <body>Our technical goals are to never lose data, be very fast, and favor boring and faded technologies where possible. A rule of thumb that has worked well for me is that if I'm excited to play around with something, it probably doesn't belong in production.</body>
    <created-at>2010-01-12T19:06:33Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://pinboard.in/blog/63/</source>
    <title>Pinboard Blog: Technical Underpinnings</title>
    <favoriters>
      <favoriter>
        <login>ry</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ry</login>
    </user>
  </quote>
  <quote>
    <author>Dr Seuss</author>
    <body>Don&#8217;t cry because it&#8217;s over. Smile because it happened.</body>
    <created-at>2009-12-28T18:20:21Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.fluentin3months.com/sound-like-a-carioca/</source>
    <title></title>
    <favoriters>
      <favoriter>
        <login>ltcooper</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ltcooper</login>
    </user>
  </quote>
  <quote>
    <author>periphera</author>
    <body>&quot;You can judge the fitness of an interactive application by the ratio of suggested states to states that are actually achievable.&quot;</body>
    <created-at>2009-12-10T21:46:19Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.boingboing.net/2009/12/10/the-boing-boing-20-p.html#comment-661115</source>
    <title>Comment paraphrasing Chris Crawford</title>
    <favoriters>
      <favoriter>
        <login>lrizoli</login>
      </favoriter>
    </favoriters>
    <user>
      <login>lrizoli</login>
    </user>
  </quote>
  <quote>
    <author>John Maeda</author>
    <body>Amidst the attention given to the sciences as how they can lead to the cure of all diseases and daily problems of mankind, I believe that the biggest breakthrough will be the realization that the arts, which are conventionally considered &#8216;useless,&#8217; will be recognized as the whole reason why we ever try to live longer or live more prosperously.</body>
    <created-at>2009-12-07T16:25:46Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://spacecollective.org/rene/4708/The-universe-will-fly-like-a-bird</source>
    <title></title>
    <favoriters>
      <favoriter>
        <login>ry</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ry</login>
    </user>
  </quote>
  <quote>
    <author>Umberto Eco</author>
    <body>The list is the origin of culture. It's part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order -- not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries.</body>
    <created-at>2009-11-22T23:14:27Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.spiegel.de/international/zeitgeist/0,1518,659577,00.html</source>
    <title>SPIEGEL Interview</title>
    <favoriters>
      <favoriter>
        <login>ry</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ry</login>
    </user>
  </quote>
  <quote>
    <author>David Given</author>
    <body>I think that it's entirely plausible that if someone were to take the Algol-68 spec, redraft it in modern terminology (types instead of modes, names instead of variables, etc), update some of the odder areas such as transput, give it a catchy Web-2.0 name and produce a decent compiler for it, then it would be heralded as the next great development in programming languages. Which is kind of depressing...</body>
    <created-at>2009-11-17T15:46:26Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://lua-users.org/lists/lua-l/2009-11/msg00576.html</source>
    <title>Re: Coroutines and Go</title>
    <favoriters>
      <favoriter>
        <login>LKRaider</login>
      </favoriter>
    </favoriters>
    <user>
      <login>LKRaider</login>
    </user>
  </quote>
  <quote>
    <author>David Denby</author>
    <body>When a director exploits our hardwired responses to pathos, he fails, so to speak, a test of honor.</body>
    <created-at>2009-11-13T22:26:25Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.newyorker.com/archive/2003/08/04/030804crci_cinema#ixzz0WmUGEjPq</source>
    <title>Horse Power</title>
    <favoriters>
      <favoriter>
        <login>lrizoli</login>
      </favoriter>
    </favoriters>
    <user>
      <login>lrizoli</login>
    </user>
  </quote>
  <quote>
    <author>Luc Tuymans</author>
    <body>It&#8217;s like I don&#8217;t know what I&#8217;m doing but I know how to do it, and it&#8217;s very strange.</body>
    <created-at>2009-10-30T19:06:30Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.newyorker.com/arts/critics/artworld/2009/10/12/091012craw_artworld_schjeldahl</source>
    <title>A Luc Tuymans retrospective review : The New Yorker</title>
    <favoriters>
      <favoriter>
        <login>ry</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ry</login>
    </user>
  </quote>
  <quote>
    <author>Antoine de Saint Exup&#233;ry</author>
    <body>Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.</body>
    <created-at>2009-10-29T14:05:15Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://inglorio.us/2009/04/08/so-the-best-ui-is-no-ui/</source>
    <title>So, the best HUD is no&#8230; HUD? | inglorious</title>
    <favoriters>
      <favoriter>
        <login>lrizoli</login>
      </favoriter>
    </favoriters>
    <user>
      <login>lrizoli</login>
    </user>
  </quote>
  <quote>
    <author></author>
    <body>These visual essays, together with animated stings and very short films, have become the primary modes of communication; objects are strung together rather than taken in isolation. There is no space for contemplation, just clicking, scrolling and flicking. This leaves the solitary object somewhat adrift, only embodying meaning when it is juxtaposed or collated or slotted into a larger collection. Although a glance at any tumblr or curated weblog might suggest otherwise, the 'thing' is in danger of imminent extinction.</body>
    <created-at>2009-10-20T11:00:31Z</created-at>
    <isbn></isbn>
    <page-number></page-number>
    <source>http://www.thingsmagazine.net/2009/10/death-of-object.htm</source>
    <title>things magazine</title>
    <favoriters>
      <favoriter>
        <login>ry</login>
      </favoriter>
    </favoriters>
    <user>
      <login>ry</login>
    </user>
  </quote>
</quotes>
